- EAN13
- 9781474624251
- Éditeur
- Weidenfeld & Nicolson
- Date de publication
- 11/2022
- Langue
- anglais
- Fiches UNIMARC
- S'identifier
## A unique cocktail of personal memoir, cultural criticism and Hollywood
history by the one and only Quentin Tarantino.
The long-awaited first work of nonfiction from the author of the number one
New York Times bestselling Once Upon a Time in Hollywood: a deliriously
entertaining, wickedly intelligent cinema book as unique and creative as
anything by Quentin Tarantino.
In addition to being among the most celebrated of contemporary filmmakers,
Quentin Tarantino is possibly the most joyously infectious movie lover alive.
For years he has touted in interviews his eventual turn to writing books about
films.
Now, with CINEMA SPECULATION, the time has come, and the results are
everything his passionate fans - and all movie lovers - could have hoped for.
Organized around key American films from the 1970s, all of which he first saw
as a young moviegoer at the time, this book is as intellectually rigorous and
insightful as it is rollicking and entertaining.
At once film criticism, film theory, a feat of reporting, and wonderful
personal history, it is all written in the singular voice recognizable
immediately as QT's and with the rare perspective about cinema possible only
from one of the greatest practitioners of the artform ever.
history by the one and only Quentin Tarantino.
The long-awaited first work of nonfiction from the author of the number one
New York Times bestselling Once Upon a Time in Hollywood: a deliriously
entertaining, wickedly intelligent cinema book as unique and creative as
anything by Quentin Tarantino.
In addition to being among the most celebrated of contemporary filmmakers,
Quentin Tarantino is possibly the most joyously infectious movie lover alive.
For years he has touted in interviews his eventual turn to writing books about
films.
Now, with CINEMA SPECULATION, the time has come, and the results are
everything his passionate fans - and all movie lovers - could have hoped for.
Organized around key American films from the 1970s, all of which he first saw
as a young moviegoer at the time, this book is as intellectually rigorous and
insightful as it is rollicking and entertaining.
At once film criticism, film theory, a feat of reporting, and wonderful
personal history, it is all written in the singular voice recognizable
immediately as QT's and with the rare perspective about cinema possible only
from one of the greatest practitioners of the artform ever.
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